在美国一个山村里面,村民不相信医生,也不相信基督教,他们有他们自己的信仰——坑井。原来在很久之前,村子里面是有教堂的,但突然有一天,村民得了一种怪病,无法医治,当然连神父的祷告也没有用了。这是有一个陶瓷匠突然得到坑井的提示,在无意识中从坑井中取出泥土,经过加工作出人面陶罐。等他在村民面前展示陶罐,村民发现,这个陶罐上的样子,便正是神父的样子。村民各种办法都用尽了,最后只好相信陶瓷匠的说法,把神父祭献给坑井,用浸染了神父的血的坑水来沐浴,所有的人的病都得救了,于是这个村里面就有这样的传统,如若陶瓷匠得到神谕,会烧造人面陶罐,陶罐上是谁的脸,那人便要祭献给坑井,如若违反,必将陆续有人遭到坑井的报应。也不知过了多少年,陶瓷匠也换了人,现在担任这个职位的是个性憨直的达维Dawai(肖恩·布里吉斯 Sean Bridgers),有一天他得到神谕,无意识中做出了陶罐,却在烧铸好之后不见了,他也不知陶罐上的样子是谁的。原来是他的朋友少女艾达Ada(劳伦·阿什利·卡特 Lauren Ashley Carter )发现了陶罐,偷走了陶罐。因为陶罐上正是她的样子。正因为如此,报应不断地降临到村民身上。少女也发现,她怀孕了,孩子的父亲正是······
“Lobo Feroz is a loose, revitalised adaptation of Big Bad Wolves. There were many changes that we made when you compare it to the original, given that we added new characters, plot strands and locations, and we introduced and fleshed out new themes teetering between dark comedy and police thriller. The film questions one’s principles, human behaviour and how ambiguous it can be,” the director explained to Cineuropa. “I’m very happy to be able to work with a dream Spanish cast, where everyone demonstrates their enormous talent and commitment in every scene and through every single detail.”
The screenplay for the movie – written by Juan Manuel Foode Roma and Eva María Alonso Moreno – follows a police officer on the fringes of the law and a woman seeking revenge. Their paths cross, as they are obsessed with discovering the identity of the murderer behind a string of brutal crimes involving various girls. They are both willing to do whatever it takes to secure a confession, even though they will have to take the law into their own hands in order to do so. At the same time, a model detective will do his utmost to avoid irreparable errors being made and to ensure that this desperate search for the truth does not transform into the fiercest of wolves.
First-time feature director and award-winning comedian Simon Glassman comes to Fantasia with the cosmic horror, BUFFET INFINITY! Picking from hundreds of hours of original, low-budget TV ads, Glassman tells the sinister tale of two restaurants battling it out in the town of Westridge County. Insurance ads, used car rivals, and plugs for a local religious scholar and recording artist, Langdon P. Hershey, all converge to tell the story of an expanding sinkhole, a cult, and an ever-growing restaurant that becomes unsettlingly sentient.
Arkham, 1975 Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel The Colour Out of Space. brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. Lovecraft worshippers and devotees of German Expressionism alike, take heed seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'